Perfection Ain’t Perfect
(or The Scourge of Hyphens)

I was in the Sony Store in the mall, looking for replacement rubber tips for my in-ear headphones. While the guy went in the back to retrieve this low-demand, low-cost-but-easy-to-steal item, I watched a bit of Iron Man in high-def Blu-Ray on a big Bravia.

I haven’t made the jump to high-def yet. I have a nice 32″ Sony Trinitron (tube) with a Panasonic 5.1 DVD system, but I don’t have cable these days and have a small living room. I also have over 500 regular DVDs. This isn’t about bragging, really. I bring that up so that you realise I pause when I think about re-buying that catalogue on Blu-Ray. I did it with a much smaller collection about 10 years ago moving up from VHS to DVD and really don’t want to do it again, even piecemeal.

The thing is, I almost didn’t recognise Iron Man. It was Robert Downey with a Van Dyck and Gwyneth Paltrow with red hair, but everything looked unreal.

Iron Man Robert Downey Gwyneth Paltrow

The guy came back and handed me the $9.99 item. I asked, “Is that Iron Man?”

“Yeah, but it’s just the first one, not 2.”

“Uh huh. It’s weird. I don’t have high-def yet. I look at that image and it’s sharp. Nice TV. But it doesn’t look like the film. It’s like looking at a TV show or an old made-for-video movie. The mood has been lost.” It was true. The lighting was too apparent. It was very obviously staged. The cinematography looked forced.

The guy said nothing.

Beat. One. Two. Thr–

“Okay, then. I’ll just take this.”

Comments

  • Was it the hyper-crisp nature of it? I saw a clip of Casino Royale, at a similar Sony Store, and I told the sales people that it made the movie look like it had been shot on a consumer camcorder… even the stuff behind the character that should be sometimes soft, blurry, and out of focus, was too sharp…

    I don’t know if the film industry itself has made movies that use or recognize the quality of blu-ray…

    • Yeah, it was too sharp overall. Camcorder is a good description.

      I’m hoping it’s just one of those technical adjustment things and cinematographers will adapt to the fact we can now count individual pores on people’s faces. Especially with the move toward digital projectors for cinemas.

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