Here are some posts about comics that are outside the North American mainstream. As with any subject, once you get deep into it, you’re peeling layers on an infinite onion.
Starslayer No. 1 by Mike Grell
Mike Grell spent the 1970s at DC Comics drawing Aquaman, Green Lantern/Green Arrow, The Legion of Super-Heroes and his own creation, The Warlord. As the 80s opened, he entered the growing direct market with another creation: Starslayer. Published by Pacific Comics, Grell wrote, drew – and likely lettered – the first issue. Original colour was by Steve Oliff, one of North America's best of his era.
Justice Machine No. 1 Cover by Byrne & Gustovich
Looking through my files, I never got around to posting this colouring piece for whatever reason, originally done the better part of five years ago. Seeing Mike Gustovich on facebook twigged my memory, and so here it is now updated and polished.
Nexus by Baron & Rude
I've been following Nexus since the beginning, so when Steve Rude put out the call for a colourist a few years back, I threw my hat in the ring by colouring the provided sample page.
Fantasy Art by Rubén Meriggi
Rubén Meriggi is an Argentinian comic book artist that I came across through mutual acquaintances on facebook. I like his bold and disciplined linework.
2000 AD Prog 17 Cover by Brian Bolland
2000 AD is a powerhouse of British comics in stories, characters and the talent it showcases in its pages. Future Shocks, Judge Dredd, Strontium Dog and Halo Jones are just some of its output that reached across the Atlantic and had a tremendous influence.
Wally Wood’s 22 Panels That Always Work Wallpapers
Wally Wood is as close to technical perfection in comic book illustration as anybody has ever come. Thankfully, he had a good sense of humour and he thought a lot about his craft.
Giant-Size Blog Headers
Online friend Richard Guion (aka Cousin Dick) was kind enough to give this site a couple of plugs on his blogs Giant-Size Marvel and Giant-Size Geek, and I returned the favour by making new blog headers.
Forever Love Cover
A friend of the happy couple approached me to create a romance comic book cover of them surrounded by some of their favourite comic book characters. Fun piece. I understand they liked it.
Jacky’s Diary
Jacky's Diary is a fondly-remembered strip by Jack Mendelsohn. And it's been given the package treatment by Yoe Books. Cover colour by me.
The Comics Code Authority
Back in the mid part of the 20th century, the United States lost its collective mind. They had won the Second World War and were nervous about being leaders of the world. Fear set in. Fear of all threats, internal and external.
Nelvana of the North : Then and Now
Recently, I was asked to quote on restoring Nelvana of the North, an important Canadian-made comic from the Second World War era. While the people in charge chose to go down a different path, here's how I would have done it.
Ms. Tree by Collins & Beatty
Ms. Tree is the longest-running private eye series in American comics. Created by Max Allan Collins and Terry Beatty, the character first appeared in 1981. Here's a house ad for the book from Renegade Press, 1986, with freshly-applied colour.
The 1946 Chevrolet Suburban Calgary Police Paddy Wagon
Back in the summer of 1988 or 1989, there was a music festival on Prince's Island Park in Calgary. The police had brought out their vintage paddy wagon and in those pre-internet days, I had never seen anything like it before. I took a number of photos of it.
Colouring Bernie Wrightson Monsters
The late Bernie Wrightson is one of those ink artists that just dazzles with his work. From composition to lighting to his glee in creating scenes of horror, they're images that reward the viewer as you follow every line.
Atomic Robo : In the Lab
Atomic Robo is a great comic series published by Red 5 Comics out of Calgary. They have a few graphic novels out now. All are witty and fun, and deeper than they appear on the surface.
Craftint and Duoshade Tones in Photoshop
Craftint doubletone paper (DuoShade is another brand) is one of those things an ink illustrator had in their toolbox before the advent of the digital toolset or even rubdown tone systems like Zip-a-Tone. It wasn't cheap and it gradually fell out of use.